Habeeb: In the production stage we shot using Sony FS100 camera at 25p in full HD. We used various different lenses of a fixed focus length as opposed to a zoom lens. For example for the wide shots we used 18mm lens and for the close ups a 85mm one. For the mid shots we used either a 50mm or 35mm lens. This gave the film the cinematic look that we desired. A Sony NX5 camera was used to shot the slow motion shots with bubble gum.
Anastasia: In order to achieve lip sync, we converted an iPad into a digital clapperboard with colour bars, time code and the music track recorded onto it. This we held in front of the camera before each take, using it as playback for the girls to lip sync to, This track we then uploaded to FCP as the sync track for the edit.
Holly: During the post production we uploaded the footage to FCP, logged the shots and organised them into bins relating to each scene of the video. This gave us greater clarity when we were editing. We also colour labelled the shots so that we could differentiate between the good and bad takes. The next task was to lip sync the visuals to the music track. This we did by matching the time codes from the different shots to the sync track we had already laid down.
Anastasia: We then started the creative part of edit making the video actually work. We had already achieved the look and feel that we desired during the shoot and because we had cut a storyboard animatic during the pre-production the edit was relatively simple, although there were changes between the three stages of production. We also cropped various shots and scaled and digitally panned across some of them. This helped to make the video more visually interesting.
Holly: In the final stage of the post production we exported the final cut to a programme called color. We then graded the video so that each shot matched the other, adding the final gloss to the finished product and furthering its aesthetic qualities.